Chip Zdarsky, writer, and Marco Checchetto, artist, resurrected Matt Murdock’s story with a new approach to key themes and new plot lines. This was more than three years ago in the pages Daredevil #1. They are back this week to continue the story in yet another magazine Daredevil #1. This issue continues their highly acclaimed run with the same style and subject matter. Devil’s Reign The crossover event is not the main point of the story, but it does make the story more interesting than the often irritating new #1. When the last page turns, it becomes clear that this is the end of a particular journey.
In the wake Devil’s ReignWith Luke Cage in New York City, Wilson Fisk running amok, and Mike Murdock still in his brother’s tomb, Daredevil prepares for two major changes. He will leave New York City and take control of The Fist. This is a splinter group of The Hand that aims to destroy their progenitor. This shift is rooted in a long-running subplot that was in the previous volume. As the reality of the United States becomes more apparent, it makes the transition towards supernatural figures and concepts easier to accept.
This alteration in tone is what causes the most concern. Daredevil—perhaps Marvel Comics’ most critically-acclaimed and influential long-running series, overall—has made its mark and defined itself as “street level” series. Past events have relied on world-shaping conflict and lots of magic. ShadowlandThey have often fallen flat. The Punisher now leads The Hand in a much weaker pivot suggests they will be overlapping. This is bound to be controversial, given the way that the 25-year old “Angel Punisher’ arc has been mocked. But there is nothing in the pages. Daredevil #1 to suggest Zdarsky does not have a better perspective. The new mystical figure is meticulously developed throughout the issue, and their aura is more fascinating than worrying.
The focus of Zdarsky (and Checchetto) is evident in the new global structure of supernatural terrorist organisations. DaredevilIt hasn’t changed. In conversation with Spider-Man and other Daredevil characters, Daredevil returns back to the original story arcs from these creators. What purpose does violence serve. How can one ethically keep peace? Is it possible for current cycles to be broken to create new systems. These are vital questions. Daredevil He has dealt with them in impressively mature ways, especially when he criticizes the American carceral system.
These emphases are evident in Daredevil’s reflection on New York City’s future as well as flashforwards, which see Matt questioning the purpose and consequences of his work. This split timeline raises serious questions about the possibility of success and prompts readers to wonder if even the most inspirational of figures have real answers. Every aspect of the issue is infused with the confusion of a worsening global world, and it strikes hard.
Checchetto’s Farewell Tour of New York City is notable for its ability to show the artists’ skill at depicting chaotic and crowded urban scenes, as well the “uninflected eyes” that they bring to action sequences. This allows violence to be clearly read and land with shocking impartiality. The few farewells that are included almost always include violence or threat keep readers focused on the risks and spiral of unintended consequences of Daredevil’s role.
The backup feature “The Island” is also available. Rafael de Latorre, an artist, focuses on Elektra’s mission to create a new base for Daredevil’s. While it serves only to highlight the vibrant mountain setting and cast, the action is compelling and helps to keep the series’ overall approach intact.
Daredevil #1 moves its eponymous protagonist from his most familiar environment and elements in preparation for its final story. It will be set on a global stage and include many mystical elements. The team at the core of the project is confident that the shift will not cause any anxiety, despite previous efforts. DaredevilTheir approach has not been compromised by’s revival over the past few years. The new #1 is bound to take readers where they want, and that’s a promising sign.
Published by Marvel Comics
On July 13, 2022
Written by Chip Zdarsky
Art by Marco Checchetto
Colors by Matthew Wilson
Lettered letters by Clayton Cowles
Cover by Marco Checchetto, Matthew Wilson